This week’s special double length episode marks the end of Part 1. Marie’s life is thrown into chaos as her wedding to Ferdinand approaches. In a moment of desperation she swore to obey her father, but at what cost? This week’s post show explores the history and anatomy of Synagogues.
With the end of part one, we will take a four week hiatus and return with new episodes September 14th.
Chapter Seven- 1:43
Postshow- 25:30
Bibliography
Arad, Dotan. “When the Home Becomes a Shrine: Public Prayers in Private Houses among the Ottoman Jews.” Domestic Devotions in the Early Modern World, edited by Marco Faini and Alessia Meneghin, vol. 59, Brill, LEIDEN; BOSTON, 2019, pp. 55–68. JSTOR, www.jstor.org/stable/10.1163/j.ctvrzgvxg.9. Accessed 10 June 2020.
Cohen, Julie-Marthe. “The Migration of Ceremonial Objects: the Case of the Amsterdam Portuguese Jewish Torah Mantle.” Studia Rosenthaliana, vol. 35, no. 2, 2001, pp. 200–213. JSTOR, www.jstor.org/stable/41482454. Accessed 4 June 2020.
Mann, Vivian B. “Decorating Synagogues in the Sephardi Diaspora: The Role of Tradition.” Synagogues in the Islamic World: Architecture, Design and Identity, edited by Mohammad Gharipour, Edinburgh University Press, Edinburgh, 2017, pp. 207–225. JSTOR, www.jstor.org/stable/10.3366/j.ctvxcrk2d.15. Accessed 4 June 2020.
RUBENS, KENNETH. “Bevis Marks Synagogue and the City Churches.” Jewish Historical Studies, vol. 37, 2001, pp. 117–131. JSTOR, www.jstor.org/stable/29780031. Accessed 4 June 2020.
Music
“Adon Olam” Arranged by Rev. D.A. deSola and performed by the Shearith Israel Choir.
“Violin Sonata in A minor, Op. 5 No. 6” by Tomaso Albinoni
PerformersSonatori Fiorentini (baroque ensemble)
Publisher Info.OnClassical
CopyrightCreative Commons Attribution-NonCommercial-ShareAlike 3.0